Free download or read online Extremely Loud and Incredibly Close pdf (ePUB) book. The first edition of this novel was published in April 1st 2005, and was written by Jonathan Safran Foer. The book was published in multiple languages including English language, consists of 326 pages and is available in Paperback format.
What happens in Extremely Loud and Incredibly Close? Oskar Schell is a clever, precocious nine-year-old whose father was killed in the attacks on the World Trade Center on September 11th, 2001.
A boy lost his father after the 9/11 event, he tries to find what's left of him through the journey of searching for the key's lock found in his father's.
Writing has always been a way for authors to cope with tragedy. Erich Maria Remarque wrote All Quiet on the Western Frontafter serving in World War I. Elie Wiesel told his harrowing tale of surviving the Holocaust in Night. And in First Step 2 Forever, Justin Bieber wrote about the insufferable pain and tragedy that he… well, that his music has inflicted upon the world. (We haven't Shmooped that one… yet.)
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After September 11, 2001, the citizens of New York and entire United States had to go through the seven stages of grief together. The unofficial eighth stage is making art, whether it be movies like United 93 or World Trade Center, or literature like Jonathan Safran Foer's Extremely Loud and Incredibly Close.
Extremely Loud and Incredibly Close is the extremely anticipated follow-up novel to Jonathan Safran Foer's incredibly well-received first novel, Everything is Illuminated. It was published in 2005 when Foer was only twenty-eight years old. It's about a boy trying to make sense of his father's death on September 11. Two years after his father dies, nine-year-old Oskar Schell finds a key in his Dad's closet. He sets out on a quest to find the lock, hoping to reach some sort of closure over the tragic loss of his father.
Super-duper Earsplitting and Indubitably Adjacent (that's what we'd have called it) is more than just 'that September 11th novel.' It's about grief in general, and coping with any sort of tragedy. Oskar's grandparents both lived through the bombing of Dresden, Germany, during World War II. And his Mom is trying to figure out how to deal with the loss of her husband. All the major characters are suffering from the trauma of unimaginable loss.
The novel didn't quite receive the same level of critical acclaim that Foer's debut novel earned. The New York Times called it 'contrived and improvisatory, schematic and haphazard' (source). But Laura Linney liked it. And it was made into a movie with big star power: Tom Hanks and Sandra Bullock. (Laura Linney must have been busy.)
We think it's extremely interesting and incredibly thought-provoking (even with all those adverbs and despite what the New York Times says). The only way for you to find out is to give it an extremely and incredibly close-read on your own. We'll help.
Some events just seem to define a generation's experience. The Great Depression and WWII shaped the lives of the Greatest Generation. The Kennedy assassination, the Civil Rights Era and the Vietnam War did that for the Baby Boomers. The World Trade Center attack was probably the most terrifying national catastrophe for the millenials. And even if you weren't old enough to remember the attacks themselves, you know how profoundly they changed so many things in your world. (Those security lines at airports…)
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These were shared experiences, especially when television and the internet allowed people to see the same images, and hear endless analysis of what happened. And sometimes, it's just too much. It's easy for the numbers in any mass tragedy—almost 3,000 people killed on 9/11—to feel impersonal. It's easy to stop caring. But the author knew that each one of those people had a family, friends, a history. Each one had loved ones who grieved for them.
So why should you care? Well, Foer lets us know that tragedy can happen to anyone at any time. No one knows when their world might suddenly come crashing down. And his bottom line is this: appreciate the people you love and let them know it, so you won't look back with regrets. Obvious? Maybe. Corny? Definitely. It might seem morbid to think that you can lose anyone at any time, but it keeps you in the moment.
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So give it a try. Let your friends know how much they mean to you, even if you think they already know. Give your annoying parents a break. Tell your math teacher how much you appreciate her devoting her life to the most boring subject ever. (Sorry, we meant most challenging subject.) Write a fan letter. Tweet a shout-out. When you win an Oscar, be sure to thank everyone. Because you never know.
How It All Goes Down
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What The?
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This chapter kind of bounces all over the place as the narrator introduces us to himself and to his world.
It begins with him dreaming up a bunch of wacky inventions. Here's a quick sample:
A teakettle that whistles melodies
Little microphones that broadcast everyone's heartbeat
A birdseed shirt
Training your own anus to talk (Who's narrating this book? Ace Ventura?)
There's also some ruminating about jujitsu class and death. Lots and lots of death.
Our narrator tells us about his first time in a limousine: with his mother, grandmother, and Gerald the limo driver.
They're heading to Oskar's dad's funeral. Kind of. 'It's not like we were actually burying him anyway' (1.9).
Mom's a little irritated that the narrator, her son, gave the mailwoman a key to their apartment, and the narrator wonders if she still loves him. 'I've never loved you more,' (1.16) she says.
The narrator alludes to the second time he was in a limo ('when the renter and I were on our way to dig up Dad's empty coffin' (1.19)) and then talks about a scavenger hunt through Central Park his Dad sent him on once.
He's not sure why his Dad sent him out digging. He says that the more he found, the less he understood.
From there, he tells us about all the letters he started sending after 'the worst day' (1.33) (i.e. the day Dad died) to famous people, like Stephen Hawking, who replied with a form letter.
Oskar (that's our narrator, not the Grouch) tells us about the last story his Dad told him (a story of New York's sixth borough) and that the last time he heard his Dad's voice was on the answering machine.